“U.S. State Department Reaches Out to the World Online”

Radio Free Europe/Radio Liberty recently published an online article entitled “U.S. State Department Reaches Out to the World Online.”

The article discusses recent State Department foreign-language social media, such as its Persian Twitter and Facebook pages. A month ago, Iranian democracy activist Amir Hossein Etemadi tweeted hoping for a condemnation of the house arrests of Mir Hossein Musavi and Mehdi Karrubi. He received no response. More recently, he wrote on the Facebook page: “I hope that this connection will be two-way, meaning that it's not just us following your page, but more importantly, that you follow the Persian pages and the profiles of Iranians.” He did receive a response to this message, where he was thanked for his message and promised that Washington is listening and responding.

Secretary Clinton recently said: “We have our ear to the ground, talking to digital activists about where they need help, and our diversified approach means we're able to adapt to the range of threats that they face," Clinton said. "We support multiple tools, so if oppressive governments figure out how to target one, others are available.” The department now tweets in 10 different languages, including Arabic, Chinese, Russian, and Persian. However, as this article points out, the Arabic Twitter has 6,000 followers, but this is not as significant as it seems – many millions of Arabic speakers use the internet worldwide.

Some comments on the department’s Facebook page express skepticism over the true effects of this listening campaign. Yes, there is increased outreach and communication, but what does this mean in terms of policy? Others say communication via social media does help to decrease the gap between themselves and the United States. They feel that any dialogue is a move in the right direction.

Moroccan blogger Hisham Almiraat brings up an interesting observation. He says that Tweeting with Alec Ross, Clinton’s senior advisor for innovation and key player in the social media effort, is much more of a “two-way conversation” than his interactions with the official State Department Arabic account, which he characterizes as robotic. And apparently Ross developed quite a following among middle-class, English-speaking Arabs, as he consistently responded to tweets during the revolutions in Tunisia and Egypt.

Clay Shirky suggests that the State Department “will actually never be able to use Twitter in a completely open way,” partially due to conflicting communications goals. He says “their inability to say the same thing to all parties is not a function of which technology they're using. Their inability to say the same thing to all parties is a function of what foreign policy is like.”

Similar discussions came up in class last week, as to whether or not listening necessarily needs to be followed up with action in order to have a positive effect. While publics might like to see changes in U.S. foreign policy, foreign-language social media does appear to express interest and provides a new channel of communication that did not exist previously. In this way, public diplomacy can perhaps more effectively reach particular audiences – at least that is the strategy.

Dalia Ziada, an Egyptian blogger and human rights activist, suggests that this might improve the image of the U.S. among young Arabs, for example. She says: “At least they take [these views] into account when trying to address different political issues in the region […] Especially [it's] that the audience they are targeting is not those people who are watching TV anymore; The Internet today is our TV and radio and everything. It's our media today.”

Satire, alienation, and why neither Samuel Clemens nor the Czech Republic care if you like them

The Czech people have experienced thousands of years of foreign occupations, damaging, cruel dictatorships, deadly regime changes, epic revolutions, and they have yet to be impressed.

In a similar vein, Mark Twain lived through his fair share of tumult and tragedy, both personally and on a national scale. Slavery, the Civil War, the Gilded Age, and the premature deaths of both his wife and daughter all affected his sensibilities and expression. Yet, both the man and the nation have nurtured an amazing satirical wit that cuts through the mediocrity and pandering that plague so much of the public sphere today. We are taught to believe that we cannot say anything spontaneous, write anything incriminating, or express any ideas that are not part of a cohesive self-promotional campaign, and this has a result of diluting our creativity to a point where it loses almost all flavor. This has never been a problem for the writer or the Czech people.

Throughout his later writing, themes of skepticism of, and disenchantment with, revolution, democracy, and capitalism are paired with a retention and purification of his affections for individual human beings, and illustrated by his intelligence, empathy, and wit. In fact, according to a recent article commemorating him in Harper's, "research can find few elements of the age that Mark Twain did not burlesque, satirize, or deride." He unfailingly chose the liberties of the individual over the ambitions of the state, pitting the force of his intellect against the "peacock shams" of the world's "colossal humbug." But he was not spiteful, as he clarified when he said:

"When I build a fire under a person, I do not do it merely because of the enjoyment I get out of seeing him fry, but because he is he is worth the trouble. It is then a compliment, a distinctions; let him give thanks and keep quiet. I do not fry the small, the commonplace, the unworthy."

Likewise, the Czechs do not poke fun at negligible nations, or bully defenseless victims. They endeavor without malice to shine a public light on national stereotypes and flaws, but for some reason it is misinterpreted abroad and the international community tends to overreact. For instance, Czech artist David Černý’s Entropa exhibit, which mocked each self-important sovereign European nation with equal mercilessness, was condemned as insensitive and inappropriate, when in fact it was an insightful commentary on the countries of the EU and their self-perception and views of one another. The installation subscribed to a Czech school of thought called Mystifikace, or Mystification, which is explained by Zdeněk Dostál on Radio Praha as the following:

“We don’t like systems, political systems. It comes from history because for a long time we were under the system of the Austrian monarchy, then under the Russian occupation. So in the present day it’s still [topical]. So maybe it’s because of that. But I think we, as Czech people, we like to play, we want to have fun, and we are able to watch ourselves from [a detached point of view], and that’s why this sort of sarcasm or mystification is part of us. And I think it’s good because you don’t take yourself as seriously. Yeah, it is a joke, but if you look deeply it’s a joke with a deep topic. It has always been the case that a king needs a clown by his side to see the truth.”

It seems that on a global scale, we cannot take a joke, or see intelligent art for what it is.

Luckily for the endlessly scathing Mark Twain, he did not allow his autobiography to be exposed to the public eye until 100 years after his death. Unfortunately for the Czech Republic, they cannot take up a similar strategy, and will have to sustain the unsolicited criticism of other countries until... Well, probably forever.

"What is Foreign Aid for?"

Paul Miller, one of the contributors to the Shadow Government blog on Foreign Policy’s website, wrote an interesting piece on foreign aid a couple months ago. As aid has come under fire, Miller rejects the argument that aid is merely a handout from rich to poor. In the current economic climate, questions have arisen over the effectiveness of U.S. aid. But what is aid supposed to accomplish?

Miller explains the two general perspectives on aid – national bribery and charity – and proposes a third: strategic investment, in which “foreign aid helps countries whose interests align with our own [to] increase their capacities. The United States gives money to help select countries -- not the entire world -- improve specific abilities, like their ability to provide public security, defend their borders, or buy and sell goods.”

This is a more realistic view of aid, and Miller gives the example of the Marshall Plan, which was in part an act of charity but also a strategic investment to improve European stability and attempt to prevent the spread of communism. The Plan also helped Europe become a strong trading partner.

Miller argues that the strategic investment view of foreign aid would help protect it from major budget cuts proposed by Republicans. He says: “Aid is hard power. It is a weapon the United States uses to strengthen allies and, thus, ourselves.” On the other hand, this realistic view of aid “would also help save it from the kind of limitless, grandiose visions Democrats sometimes seem to have for it.” Miller had hoped this view would be incorporated into Secretary Clinton’s QDDR, but argues that it did not seem to offer a framework of prioritizing among U.S.  aid.  

However, Secretary Clinton does touch on this in the article we're reading for this week. She says “it is important to acknowledge that although the world’s problems are vast, the United States’ resources are not. As stewards of American taxpayer dollars, the State Department and USAID must be strategic in pursuing the most critical needs and in making decisions based on hard evidence to ensure that investments deliver results.” She talks about targeting countries with responsible governments and favorable conditions for development.

Bringing this back to public diplomacy, foreign aid is a hard power resource that can boost the image and soft power of the U.S. abroad. Development can be closely tied to diplomatic efforts to make the two “coordinated, complementary, and mutually reinforcing.” In addition, aid is not just charitable, but strategic as well.

Japan's Odorless Public Diplomacy

Japanese culture and products have been popular for as long as I can remember. However, in my experience they have had little affect on Japan's soft power influence over the United States. When I was younger everyone had to have a Tamogatchi pet, those annoying little egg shaped key chains with a fake pet that you have to keep paying attention to or else it will die (great for kids...). Pokemon were also huge and my brothers were obsessed. I think they new all 100-some odd Pokemon back then (I've heard there are hundreds now, it's crazy). I also have friends and family who love anime and Japanese video games, however, very few have expressed an intense desire to become much more involved in Japanese culture.

As discussed in class, when I think of Japan, I do think of it's Japanese culture fads, like Harajuku and J-Pop, and it's innovative technology. In that respect their branding efforts are clearly working. But this acknowledgement and occasional appreciation (especially of all the advanced things they get before us!) haven't made me more likely to support Japanese policies or activities.

I think this has something to do with the phenomenon discussed in Iwabuchi's article on Japan's odorless culture from the International Communication class. The promoted features of Japanese society don't feel like things that are authentic and unique to Japan. Although Harajuku girls might have a cool style, I know that not very many people in Japan dress that way. And while Japan does have a great deal of technological innovation, it somehow seems disconnected from culture and more related to the global marketplace. I don't think of Japan when I hear about these products, I tend to think about the companies first, Sony, Nokia, Toyota. In this way, the culture doesn't seem to have an odor. It doesn't linger (at least not for me) in a meaningful way. This may just be the way that Japanese culture is and I'm just not drawn to it, but I find that somewhat hard to believe. In order to resonate with people, Japan's culture needs an odor, and needs to promote it's unique fragrance, not a sterile polite version of the real thing. After all, smell is the sense most closely tied to memory.

Public Diplomacy Guidelines: An Oxymoron?

This blog post feels especially strange, I'm blogging about a blog post about a report about how to conduct diplomacy.

I'm pretty much sticking with my theme of writing about the UK's public diplomacy, seeing as I've got a bit of a lengthy paper coming up on that exact subject. Anyways, the report here itself was a quick read - basically, it's a series of guidelines produced by the Foreign Office in order to streamline policy actions across the ministry and for the future. Or, as blogger Robin Brown puts it, "the steps that the UK can take to exert influence on an issue or situation while recognizing the the UK is unlikely to be able to control outcomes." Granted, it also seems incredibly formulaic, which I don't think allows for the necessities of thinking on one's feet.

Public diplomacy is uncertain. Determining what it is can be difficult, as well as what it is not. Measuring its success is even more impossible. PD is so ambiguous, and while the FCO recognizes its effects are hard to quantify, the charts, boxes, and step by step directions are too formulaic for the flexibility required on the international stage. This seems out of step with what I've so far seen in my research as successful British public diplomacy...so maybe there's something to say about this approach after all.

Tacos and Kimchi...Great, now I'm hungry.

It would seem to me that Korea is on the right track in realizing it needs a re-branding strategy. I mean, I didn't even know Hyundai and Samsung were Korean...let along LG (Lucky Goldstar? What?!). So either Korea has been lacking greatly in the branding department, or I have been living under a rock like the Geico commercials. I'm leaning a little towards both.

According to a blog post "Korean Tacos and Kimchi Diplomacy" posted through the USC Center on Public Diplomacy, Korea's recent branding efforts have come from the realization that their products seem to have more recognition than the country itself. Clearly not an ideal situation. So the solution? Gastrodiplomacy. Korea is going to win the hearts of minds of the international community with Kimchi. And let's not laugh this off, it seems to have worked with Thailand. I mean seriously, who doesn't eat Thai food?

But really, will I visit Thailand, or even Korea, because of some Thai food or Kimchi? The article emphasizes the importance of listening in diplomacy, ever proving to be a difficult concept to understand and implement apparently. Rather than just advocating its gastrodiplomacy out, Korea could be looking for local opportunities to sponser gastro-events in foreign locales. Not a bad idea. Because then my taco wouldn't just be a taco that happens to be Korean, but it would be, say, a "brought to me by Korea" taco from those convenient food trucks that DC has grown to love so much. And that could make all the difference.

China Should Listen Up

Based on our readings and class discussions it seems that Chinese public diplomats have failed to read Cull's categorization of public diplomacy actions. If they had they would understand that listening to foreign publics is the "foundation" of all successful PD campaigns (Cull, 18).

China is relentlessly promoting its admirable culture and history, however not always in ways that will resonate with its audiences. As we saw in class at the beginning of the semester, one of China's attempts to promote itself in the United States involved rather boring video screens depicting accomplished Chinese citizens. While this would have caught my eye had I been in Times Square, it would not have held my attention and I doubt it would have much improved my knowledge or opinions of China.

If China were to elicit more feedback from its audiences it would have a much better idea of what programs will succeed and which will fail. In addition, as Professor Hayden said in class "They need to read audience analysis studies since the 1970's." China is aggressively pursuing international broadcasting operations in the US and around the world. However, much of its programming seems disingenuous  and reeks of propaganda. If it listened to its audiences, China would find that they are a bit more perceptive than the country believes and are turned off by these types of messages. It is telling that opinions of China are plummeting in the West, where it is attempting to implement these types of informational campaigns, but skyrocketing in the global south where it has invested in development aid. Clearly China is cultivating the soft power it desires through development actions, but loosing it based on unidirectional broadcasting.

Confucius Institutes and Chinese Soft Power

The topic of Chinese soft power has become popular among academics and policymakers in recent years. The following article looks specifically at Confucius Institutes (CIs) and how they are related to a broader Chinese soft power strategy.          

Paradise (2009) discusses Confucius Institutes (CIs) and soft power in China and International Harmony: The Role of Confucius Institutes in Bolstering Beijing’s Soft Power. He looks at China’s soft power initiatives as strategies for the country to assure foreign publics of its benign intentions in a time where there is much anxiety over the country’s increasing economic and military power. CIs are presented as one such way to win hearts and minds abroad. Paradise notes that little has been published on the impact of these programs on foreign perceptions of China, likely due to the relatively recent nature of the subject (the first was established in 2004).

In this article, he seeks to answer the following questions: What are the CIs doing? How do they fit into China’s “grand strategy,” if in fact there is such a strategy? How is soft power viewed in China? How are the Confucius Institutes thought of outside China? What impact, if any, are they having on China’s standing in the world?

In addition to funding and providing educational resources, Hanban’s (CI Headquarters, affiliated with the Ministry of Education) role in the CI initiative includes evaluation of instruction, management performance, and impact on society. Chinese embassies and consulates tend to support the initiative and occasionally act as intermediaries between applicants and Hanban.

An important finding was that some Chinese educators reject the idea of CIs as part of a larger soft power offensive, seeing it as an academic endeavor and less politically motivated. In fact, the notion of power as motivation is sometimes seen as negative and even aggressive. However, soft power has been described by President Hu Jintao as necessary for national strength.

Paradise goes on to explain the concern over CIs as a Trojan horse, and finds that CIs are forbidden from involvement in any activities that are inconsistent with the missions of the CI, and that they may not breach any Chinese laws and regulations. These and other regulations contribute to the general feeling of many American academics: that with the CIs, China is making the key decisions, not the university. However, there are many who welcome the assistance provided by the program. In terms of impact, it is difficult to determine whether or not the CI initiative affects perceptions of China, particularly because it is too soon to tell. (And increasing soft power is a long-term strategy.)

Working on the Railroad, or the railroad working on YOU?

It is China week!

For all of the thousands of you that subscribe to my commentaries both here and on Provincial Supertramp, you already know that I am a novice railroad historian and rail advocate. Yet, sadly, I had yet to find the occasion to incorporate my railfandom into my Public Diplomacy discussions, until now. In a near miraculous confluence of various seemingly unassociated subjects, I have managed to find a Mark Twain quotation that deals with the Chinese, the railroad, and can even be applied to the modern development of Chinese public diplomacy strategies. It is from a news commentary called "CHINESE RAILROAD OBSTRUCTIONS," from The San Francisco Daily Morning Call, on August 30, 1864.

"The Chinese in this State are becoming civilized to a fearful extent. One of them was arrested the other day, in the act of preparing for a grand railroad disaster on the Sacramento Valley Railroad. If these people continue to imbibe American ideas of progress, they will be turning their attention to highway robbery, and other enlightened pursuits. They are industrious."

This may seem like it does not have so much to do with public diplomacy, until you read about a recent project that has been dubbed by Western journalists as "Chinese railway diplomacy." This concept interested me because of two historic comparisons:

1. The role of the Chinese in helping to build the Transcontinental Railroad in the US, as unskilled, underpaid, and abused immigrant laborers, and

2. The striking difference between the way that the US has used the railroad to exert dominance over its region and the way that China is attempting to do so now.

In the 19th and 20th centuries, the United States and the UK both took on railroad projects in Latin America as a way to control transit and commerce in the region, and these projects were viewed as imperialist and exploitative, and were often poorly run. Now, very few railroads exist south of the US, and the ones that do are generally inefficient and in a state of disrepair. Contrastingly, the high-speed rail projects that China is sponsoring in Thailand, Laos, and now Kazakhstan are seen almost as goodwill offerings to neighbors, and generally believed to be relatively inexpensive and technologically advanced projects with a high potential for success. This is a part of the Chinese public diplomacy philosophy striving for "a good-neighborly and friendly surrounding environment, and environment for equal and mutually beneficial cooperation, and an objective and friendly publicity environment," as President Hu Jintao explained in 2004.

Perhaps this is an example of meddlesome Westerm entrepreneurial endeavors that, through translation to a Chinese environment, have actually been improved and made more benevolent. Though I am certain the US will not be exporting any competitive rail technologies via Amtrak any time soon. Ahem.

Sport Diplomacy: Quelling tensions between India and Pakistan, but not Boston and New York

Even though I don't understand a thing about cricket, I've actually been pretty interested in it for the past week. Last Monday I started an internship, and one of my co-workers has been talking about the India-Pakistan match, and how it's a monumental occasion. Being an avid baseball fan (I don't even want to talk about the Red Sox right now, I'm not going there, it's not starting off well), I'm interested. I mean, cricket is theoretically comparable to baseball....kind of...no, no, not really.

Sport diplomacy. It's a concept that I think is brilliant and I want to learn more about. Every two years during the Olympics there's a sense of international warmth and goodwill for a few weeks - it's hard not to notice. Sports transcend language, culture, and politics and can bring together enemies and/or those with whom a society may have nothing in common - save for the love of a sport and the common experience that goes with it, whether participating or just being a fan.

Obviously, sport diplomacy can ease tensions and put more lighthearted spirit on serious disagreements between nations. But, as mentioned in the blog post I linked to, it can be an effective tool of public diplomacy on a grassroots level as well, by putting people on an even playing field (pun very much intended). Instinct says that sport diplomacy would place more emphasis on competition, but in reality it's the simpler things in life that serve to bond people across borders and cultures.

Nation Branding: Where to Begin?

The idea of nation-branding was not an easy concept for me to understand. With anything, albeit is a product or a nation, there is that one word that pops into your mind, and is most likely to influence your perception. For example, Switzerland evokes "neutral", which leads me to see them as peaceful moderators. And even though world perception of America is not at its highest, many wouldn't argue the concepts of "freedom" or "democracy" that might come to mind as being a bad thing.

So how does a nation form its brand? That seems to be the hard part. I wouldn't wish that job on anyone. In "The Importance of National Reputation," Simon Anholt pretty much debunks the myth that private-sector marketing techniques can influence brands. This creates a kind of conundrum, because isn't that the point of marketing, to brand? But Anholt describes nation brands as something much more stable, and something that must be earned. He states that this can be difficult, since we like to keep to stereotypes at all costs and resist change.

Anholt proposes what he calls "Competitive Identity", which is pretty much a plan of nation branding that goes beyond just communication to encompass both the private and government sectors, including foreign policy, cultural products, exchanges, the media, and tourism. Anholt believes it is important for the country to promote a "clear, truthful narrative" of what the country is about. This is ideal, but sounds rather difficult to implement.

What seems to be at the root of the nation branding phenomenon is the "acting what you preach" in the name of your desired brand. A brand is only enforced by the actions behind it, what the world percieves of said country. While this seems a daunting task, it's not impossible. However it does entail cooperation between various sectors to enforce specific values, and to ensure that these are communicated in the intended way to foreign audiences. Which as we all know, is a daunting task.

When Diplomacy Fails

On Monday night, President Barack Obama addressed the country on the coalition military campaign in Libya. Although the US is working in coordination with other nations to enforce a UN Security Council authorized no-fly zone and will transfer control of the mission to NATO Wednesday, Obama, and the US in general, have come under much criticism for getting involved in yet another military campaign in yet another Arab country. The president's speech was intended to to quell public and Congressional concerns over the military action. Any presidential speech of the sort is a monologue, or one-way communication from the Commander-in-Chief to the people, foreign and/or domestic. As we have discussed in class, there is a place for monologue in diplomacy, however it cannot be the only form of diplomacy. Dialogue and collaboration help round out diplomatic efforts and create more understanding and better partnerships.


This speech was intended to be a "soft power" response to the "hard power" action the US and its NATO allies have recently begun in Libya. It acknowledged that "publics" matter and "public opinions" matter as Obama outlined the case for intervention in Libya. The president reaffirmed the American values that led the country into this fight, stating, "To brush aside America's responsibility as a leader and — more profoundly — our responsibilities to our fellow human beings under such circumstances would have been a betrayal of who we are. Some nations may be able to turn a blind eye to atrocities in other countries. The United States of America is different." (source: NPR transcript) He also emphasized that the allies had only turned to military hard power after traditional diplomatic measures of intervention had failed and especially stressed that the US was working in collaboration with the other NATO forces.


This entire situation seems to have been brought about by globalization, as Copeland outlines in his article. He says "By subverting repressive, authoritarian structures, it [globalization] contributes to liberating political change, even as its tendency to sharpen economic inequalities undermines the delicate social contract upon which all representative institutions ultimately depend,” (100). This would be the impetus for the uprisings in Libya. In addition he states that dialogue "cannot flourish in the absence of a commitment to development or in a violent climate where large-scale and generalized insecurity is treated mainly by the application of force," (101). This would be consistent with Ghadafi's reaction toward any sort of rebellion. Progress for both (or really either) side cannot be achieved until non-violent means of change and development are adopted.  

However, Copeland does not provide much hope for traditional diplomacy. While he states that historically diplomacy has at times been effective in preventing these incidents, "The widespread presence of conflict, a reliance on hard power and threats, the militarization of international policy and the growing number of unresolved global issues all testify to diplomacy's failings," (98), which is what has occurred in Libya. Ghadafi's continued defiance of the international community have led to NATO's military involvement in Libya's crisis. 


Despite these arguments maligning hard power and traditional diplomatic efforts, it is difficult to see what else (if anything) could have been done in the diplomatic realm or through public diplomacy in order to quell this conflict. In spite of the progress made in diplomatic theory and practice, including building up soft power and sustainability, sometimes it seems there is no alternative to hard power interventions as had occurred in Libya (other than just doing nothing). At least this time the US acted collaboratively.

Dance dance revolution?

I do not claim to be a connoisseur of folk dances of the world, or even a regular partaker in dance related activities, but even I was unable to fuse an invitation to see a pan-Turkic dance exposition last night at the Lincoln Theater. Türksoy, the International Organization of Turkic Culture*, was hosting a very interesting celebration of Nevruz, a 5,000 year old festival celebrated in Eurasia each year to commemorate the coming of spring "as well as the values love, fraternity, sharing, peace and friendship."** What does dance have to do with public diplomacy and competitive identity? Let us ask our dear friend Mark Twain. In 1862 he said that dancing "has a charming and bewildering effect. You catch glimpses of a confused and whirling multitude of people, and above them a row of distracted fiddlers extending entirely around the room. The waltz and the polka are very exhilarating--to use a mild term--amazingly exhilarating." Virtually every culture on this planet can boast of their charming folk dances, which, when performed, fill one with awe over the talent of the dancers, the intricacy and individuality of the costumes, and the traditional societal roles that they exemplify. A mesmerizing show of the traditional dances of a culture that you have either negative inclinations toward or have simply never heard of take important steps toward reshaping your views toward that country.

Anholt described the six aspects of competitive identity as tourism, brands, culture, investment, policy, and people. While a cultural expo may not relate directly to brands and investment, it does a great job of highlighting the attractive aspects of a culture and people, and paves the way for increased tourism. These effects are especially important for many of the countries that participated in the exposition last night, as many are newly independent, unknown, and have rarely benefitted from positive publicity. As Socrates observed, ‘the way to achieve a better reputation is to endeavour to be what you desire to appear’ and what better way to improve your reputation than to show the world a celebration of the rich, diverse cultures within your region? There were over twenty performances, but the following were some of the most impressive to me:

One dance was a solo performed by a woman in an ethereal white costume that made her look like a swan with two heads. She used an indescribable technique that made it appear as if her arms had hundreds of tiny joints, and wowed the audience with her seemingly effortless wrist-flicking and fluttering.

By far the weirdest number involved five women in long, shiny brocade robes with sleeves twice as long as the arms within them. They swayed about to thunderous techno accompaniment, pointing at all corners of the theater with their ridiculous sleeves and looking smugly at the audience and each other. I did not like these dancers, nor the country from whence they came.***

My favorite performance was a breathtaking instrumental piece. Three young women in strange feathered hats played wooden guitars that combines strumming, plucking, and slapping techniques, and also employed very dramatic hand and arm flourishes, including one point where they all played the instrument of the girl beside them!

Many of the performers came from countries or regions to which I had never given a single thought, and now that the only thing I know of them is that they create complex and beautiful sounds and move their bodies in unbelievable ways, and now I want to visit all of these places and learn about more of their folk festivals and ancient traditions. And, if I ever meet someone from Uzbekistan, I will instantly be able to make a connection with them based on the fancy footwork of her countrypeople. And when I go abroad, I will be sure to dance a rousing waltz or polka.


NOTES:

*The organization was founded in 1992 with the lofty goals of promoting friendship among Turkic speaking nations, developing common culture, and transmitting histories, languages, and cultures to future generations. As Turkey is the host country and Türksoy's official language is Turkish, it seems to be a great tool for reinforcing Turkish influence in the region.

**According to the three Architectural Digest sized informative brochures we were given when we arrived, which offered us technicolor spreads about the performers from Azerbaijan, Kyrgyzstan, and Turkey, as well as fantastic sounding places like Bashkortostan, Gaugazia, and Tatarstan.

***For the sake of international friendship and diplomacy, I will not name the country in question here, not only because I cannot remember which it was.

State Department: ATM for the BBC?

The title of this article caused me to raise my eyebrow and comment, "Wait, no, for real?"

Which is exactly why we should always read more than just headlines, and why I should probably put fewer acronyms in the titles of my posts (okay, or maybe just this one).

At first glance, the BBC wants funding from the US Department of State. Why in the world would the United States fund a British Broadcasting....Corporation?! Funding for public broadcasting is already being cut in the US, NPR being the latest organization to come under financial scrutiny (to editorialize - unfairly so). And what in the world does this all have to do with public diplomacy?

Well, first of all, it's not the producers of Doctor Who that are searching for stateside financing. It's actually the BBC World Trust, a charity which in reality receives very little money from the BBC itself, and relies on funding from the DFID (Department for International Development), the EU, and other development agencies and organizations. The purpose of the BBC World Trust is to "use media and communications to reduce poverty and promote human rights, thereby enabling people to build better lives."

Is the public diplomacy relationship becoming clearer? No? Still out of focus?

The cynical view is this: a British organization shows people who to make their lives better, the people whose lives are made better therefore like Britain. That's either cynical or the bottom line, maybe both. And probably the harshest way to make the connection.

Public diplomacy, while primarily about improving a country's image abroad, also connects to development. A country that wants to pursue a successful public diplomacy strategy will engage in a two-way discussion and exchange of values, rather than just a monologue proclaiming greatness, and everybody should want to follow that country's values because, obviously, they're ~the best~. I look at public diplomacy like selling a product - don't just tell me I should buy a product because I need it. I know what I need, and I don't need a Snuggie or a car that talks to me (drove one that did an automated voice thing, and it really freaked me out - never again). But tell me WHY I need something and how I can work with it to really improve my life? There's a better chance of me being sold on the idea.

The BBC World Trust is taking the latter approach. As a charity, is its stated goal to improve the UK's image? Of course not. But it has the BBC name attached to it, which means that it is always going to be associated with the UK.

Where was I going with this before I got sidetracked by weird analogies?

Oh, right. Bottom line: the State Department can spare a few dollars to help out the BBC World Trust. And considering the US approach to public diplomacy...well, it would make this country look good as well, so I'd imagine that to be reason enough.

Balancing Public Diplomacy with Diplomacy

President Barack Obama's tour of Latin America last week showed the importance of public diplomacy to the President, especially since he left in the middle of the crisis in Libya and after the devastation of the earthquake and tsunami in Japan. Many people are criticizing his timing, thinking he clearly had bigger fish to fry in the east. But I think he was right on, and willing to walk the line to make a difference.

By staying on schedule and touring Latin America for the first time, Obama showed Latin America that he values their relationship and is investing in a shared political future. I think this was a smart strategic move for promoting America's interest. Obama spent 5 days in Brazil, Chile and El Salvador, three countries that are considered success stories in terms of their economic and political development. And since Brazil is hosting the 2014 World Cup, has discovered a large oil reserve, and is a leading global player in many issues such as climate change, its logical why the President would visit. Furthermore, since approximately 2.5 million El Salvadorians live in the United States, the issue of immigration is important to the U.S. and El Salvador.

However, no matter how many speeches and site visits Obama made while in Latin America, one specific image will be remembered most: Obama playing soccer with Brazilian children. It's an image that captures everything-Obama playing Brazil's favorite sport, soccer, with their future, the children. It's a photo that would make anyone smile. Our President putting his busy schedule aside to show these children that they matter. Something like this photo, so spontaneous (or maybe not with good PD people working for you), speaks wonders. Or so America hopes.

The National Cherry Blossom Festival: From "prestige gift" to expression of solidarity

We don’t discuss Japan for another few weeks, but with the opening of the Cherry Blossom Festival yesterday, I didn’t want to wait.

The festival commemorates the 1912 gift of 3,000 trees from the Mayor of Tokyo to the city of Washington as a symbol of friendship. The event draws over a million of visitors each year and will celebrate its centennial next year. What began as a “prestige gift” (as Nick Cull would put it) has over the years turned into much more, spanning other forms of cultural diplomacy: “cultural information” and “dialogue and collaboration” (though I’m not sure about “capacity building”).

The festival’s partners include the Washington and Convention Sports Authority, Downtown Improvement District, the National Park Service, and the Japan-America Society of Washington, D.C. The latter is a nonprofit established in 1957 by U.S. diplomats and friends at the Japanese Embassy, with the goal of personalizing relations and creating a people-to-people organization.
During his visit that same year, Prime Minister Nobusuke Kishi said, “You will agree with me that government-to-government relations are only one side of the picture. Equally, if not more important in tying our countries closely together, are the relations at private levels in the economic, cultural, and other fields.”

The role of government isn’t clear, though I’m sure there’s some government funding and the National Park Service is a bureau of the Department of the Interior. But the event is carried out by citizens and private organizations, so this is really an example of government as facilitator/coordinator of public diplomacy.

This year, after the devastating earthquake and tsunami hit Japan, the annual Cherry Blossom Festival has become an opportunity to express solidarity. Last Thursday, the Festival held “Stand with Japan,” an event held in “the spirit of hope and rebuilding.” The Festival’s website reports: “Our relationship with Japan is at the heart of the National Cherry Blossom Festival, and the Festival is uniquely positioned as a natural conduit to unite the millions of people who want to assist and express their support in a show of unity, and the evening of hope and perseverance occurs before the 16-day celebration begins on Saturday, March 26.”

In “Cherry Blossom Festival keeps Japan on mind,” Robert Samuels reports that origami crane folding, a regular activity at the festival, has turned into a charity event where children may donate their paper cranes to the Bezos Family Foundation in Seattle, which has pledged $2 toward rebuilding efforts for every crane it receives, up to $200,000. And the popular street festival, taking place April 9^th, will donate a portion of the $5 entrance fee. In addition, several local restaurants and bars are donating proceeds from the sale of items such as Japanese beer or cherry-blossom-themed treats.